|
5
Signature of Death
When two well-known entities like the Tarot cards and the Bible provide equivalent, though opposed information about our reality, we begin to get an idea of the colossal scope of the battle between good and evil. It is not simply a war of words, ideas or religions; it is a universal, guiding system that we are inextricably bound to. We cannot alter the design or change the rules of engagement any more than we can change the rules of mathematics in order to balance our checkbook.
From the structure of the periodic table to the development of the world’s religions, all aspects of our universe must exist within the design parameters set forth by our creator. There is only one creator, and therefore only one design. In order to discover our true path of spiritual ascendancy, we can use that design to authenticate the position and motivation of man-made elements. Just as the data from the Tarot cards and 9/11 balance against Biblical data, everything that poses as an answer to man’s problems must balance as well.
Take a good look at our world. Do you believe that the current level of moral decay is just an accident? Rampant homosexuality, including simulated “marriages” abound. Interior decorators and makeover artists hide their sodomy behind trendy, deceptive labels like “gay” while consumers support their television programs en masse.
Despite huge public awareness campaigns for family planning and contraception, there are still abortions (murders) galore. Divorce, adultery, cohabitation, single parent families, have all become acceptable, even trendy. Driven by this sexual preoccupation, billions of dollars are spent on ridiculous fashion and risky, sometimes lethal cosmetic surgery.
Most of these trends might seem like forms of natural expression and a logical fulfillment of our desire to escape our Victorian roots. But the numbers tell us that life and procreation are integral parts of God’s plan. All of the aforementioned sexually related trends represent misuse of the gift of life that we are entrusted with. By killing or modifying this gift, we create death. And this is precisely the plan of the dark side.
As mentioned in section 3, one of my most significant influences was a woman named Pat who I met through her website. Initially, I e-mailed her with a few questions. She typically answered with long, well thought out, well-documented answers. Often, her answers raised additional questions, and these too she answered as if here sole purpose in life were to explain the hidden intricacies of world history. Eventually I offered observations and expressed my doubts when I had them. In time, our discussions had run the gamut of theological, historical and prophetic subjects.
During one such conversation I asked Pat if she seriously expected me to believe that Satan was in literal contact with the secret societies whose “stamp of approval” was boldly emblazoned upon 911 and all things American. Her chilling answer was simply, “Yes.”
Prepared for my disbelief, she directed me to a book called Michelle Remembers.This book tells the horrific, true(?) storyof a young girl who was given to a coven of Canadian witches to be used as an instrument for summoning the lord of darkness to earth. Her inhumane, sickening treatment made for disturbing reading, and I had difficulty finishing the book at all.
I had several heated discussions with Pat, demanding to know why such treatment was necessary. “How could God let such a thing happen?” I asked, “Surely an all powerful God could find a better solution than to subject this young girl to the tortuous treatment she endured for months on end.
But even as some critics dismissed “Michelle Remembers” as a fabrication, Pat insisted that some of the most important clues to her research about the dark side had come from Satan’s cryptic, rhyming, words as quoted by Michelle.
Michelle was 5 years old when her ordeal happened. She relived her captivity on a day-to-day basis exactly 22 years later. Even the numbers within the book indicated that Pat’s suspicions were justified. Michelle’s first account with Satan occurs in part 2, chapter 22 of her book.
Though it took me several years to put all of the pieces together, I soon recognized how significant these, like many other numerical occurrences were. The Hebrew alphabet, in its later form, is comprised of 22 letters with five “finals.” Compared with Michelle’s singular experience, we again see balance.
As Stan Tenen and the first line of Genesis demonstrated, language is one of God’s most extravagant gifts to men. Through it, all cooperation and interaction was made possible. It was the instrument of mans most daring accomplishments and his most illustrious aspirations. It was through language that one man could paint his hopes and dreams upon the canvas of another man’s mind and motivate him toward greatness.
The life cycle itself was imprinted upon the multi tiered complexity of the Hebrew alphabet. The lives of men grew with and because of such ancient languages. But this gift too had balance, which is precisely why language was the primary casualty after the tower of Babel.
With 911, the tower of Babel saga has been reenacted. Thus, we have the key to once again unlock the mysterious, amazing depths of modern languages and the alphabets from which they are spoken. Unfortunately, it is not God who destroyed the tower this time. We live in Satan’s era, and he controls the language. The extravagantly funded, multimedia images which enter men’s minds are not designed for life, motivation or creation. They are designed for death. All we need to do is recognize and read them.
Although I was thoroughly amazed at the dozens of revelations that had come my way, as The Real 911 neared completion, I found that I had become supersensitive to numbers. I often wished that I could turn this ability off and go back to my previous ignorance. But then a new doorway opened, and once again I was amazed at the vast reaches of the numerical war.
It began as I was watching the movie “Blow” for the first time. In a jail scene in which Johnny Depp’s character gets a visit from his estranged wife, the number 22 is visible on the wall for a fraction of a second. This almost subliminal inclusion made me wonder if it was just a fluke or not. I wondered how many other occurrences of 11 or 22 I might be able to find in movies. My suspicions quickly paid off.
Tom Hanks’ character has 22 logs to lash on his raft in Cast Away. InYou’ve Got Mail, Tom Hanks and Meg Ryan bicker over 22-year-old cocktail waitresses. Nemo meets with repentant sharks in a submarine number 22 in Finding Nemo. The eye in Monsters, Inc., saysthat he lives on 22 Mike Wazowsky Lane. As the Titanic’s evacuation begins, the band plays song number 22, in A Night to Remember. Geena Davis is a pirate who bids on a slave (Matthew Modine) in Cutthroat Island. He is lot number 22.
John Travolta’s character in Swordfish takes 22 hostages at a bank. Cops played by Emilio Estevez and Richard Dreyfuss keep watch over a pair of duplexes in Stakeout. The house numbers are 2220 and 2222.
Sandra Bullock’s character, Lenina Huxley, is guilty of breaking law #22 for collecting old-world memorabilia in Demolition Man. In Back to the Future, Part II, Doc and Marty journey into the future to prevent Marty Jr. from being jailed on October 22. Later, they return to 1955 to retrieve the sports almanac. Doc looks at his watch and says that they have 22 minutes before sunrise. Sean Bean’s character says that he served in the 22nd special air service in Ronin.
Alfre Woodard’s character remarks, “That must be the 22nd time you’ve destroyed the Earth” in The Core. Kevin Bacon’s character uses CB channel 22 in Tremors. Jennifer Connelly’s character works out of apartment #22 in Mulholland Falls. Pauly Shore’s character destroys 22 televisions in In the Army Now. There is no room in barracks building #22 for Colin Ferrell’s character inHart’s War. Kurt Russell has been married for 22 years inVanilla Sky. In the same film, Tom Cruise’birth date is 9-22-68. Another of Cruise’s characters is recruited to train Japanese soldiers in The Last Samurai. His first day on the job is July 22, 1876. A computer screen in the movie Tron tells us that that story takes place on September 22. The time shown is 10:22.
Kurt Russell’s character, Snake Plisken is given 22 hours to rescue the president inEscape from New York. One of Ellie Arroway’s assistants tells us that 22 stations worldwide have confirmed her extraterrestrial signal in Contact. Billy Bob Thornton’s character, Manual Jordan, seeks forgiveness after 22½years in jail, in Levity. The female terminator, TX, has 22 human targets to kill in Terminator 3. Christopher Lambert’s character uses a dead child’s birth certificate inHighlander. Date of birth: October 22. The Russian President dies at 4:22 in The Sum of All Fears.
Tom Cruise’s character, John Anderton makes his first arrest on April 22 inMinority Report. Later, as Colin Ferrell’s character tries to catch Cruise, he remarks, “Anderton won’t kill Crow for another 22 hours.”
During a courtroom scene in A Few Good Men, Kaffe tells the judge that it is not necessary for his opponent to bring forth all 22 witnesses. Later, Kaffe stashes his star witness in room 21, with room 22 obvious, across the hall.
The thieves in the movie Panic Room try to steal 22 bearer bonds. The Sabres haven’t won a championship in 22 years in Bruce Almighty. There are 22sectors at CIA headquarters in Mission Impossible. Samuel L. Jackson’s character has 22 minutes to evacuate Prague in XXX. Steve Martin’s daughter is 22 in Father of the Bride. The first play called by Scott Bakula in Necessary Roughness is #22.The caped crusaders surface at buoy #22 in Batman Forever.Desire Amore has an extra measurement in Spy Hard:36-24-36-22. Robin Williams uses bus number 22 in Mrs. Doubtfire. Folk Music day is declared June 22, in A Mighty Wind. Emilio Estevez gets a 22 second interview in Freejack.Clint Eastwood investigates a Jan. 22 robbery in Bloodwork. 22 cars are totaled in a car chase in Bad boys II. One patient complains about 22 items of disorder in Color of Night. Khrushchev (Bob Hoskins) arrives in Stalingrad on September 22, 1942 in Enemy at the Gates. The gateway to hell occurs on September 22, 1887in The Fairy King of Ar. (George Bush ordered flags to be flown for 11 days after 911; until Sept 22.)
My list of 22’s in films continues to grow everyday. But even as such evidence grows, I knew that critics would dismiss these occurrences no matter how many thousands of them I found. Even if they could not reproduce the effect with any other digit, or pair of digits, I knew there would always be doubt.
Then I saw the movie Behind Enemy Lines with Owen Wilson. As a chopper is speeding toward his rescue, the words “22 minutes out” come on screen. Later, when the same chopper is rejoined, we find that it is 5 minutes out. Here were the digits of the Hebrew language and of Michelle’s ordeal together. Now I had another method of confirming my theory. And I knew that with the addition of this extra digit, the odds of such inclusions being coincidental went down dramatically.
Madonna and Rosie O’Donnell play buddies, and the first two hitters in A League of Their Own. Their jersey numbers are 22 and 5. Bridgett Fonda is kept in cell #B22 in Point of No Return. She is girl #5. Lamar’s gift is a .22 with 5 bullets in Minority Report. The temperature on mars is –225 degrees in Species 2. Sarah Connor (Linda Hamilton) lives in apartment #225 in The Terminator. Jim Carrey eliminates a news crew from channel 5 with 220lbs. of marijuana in Bruce Almighty. Kurt Russell rescues the president from train car number 2205 in Escape from New York. Opposing snipers meet one another on October 22nd for the first time; then on November 5th in Enemy at the Gates. That movie closes with a shot of 2 pillars with a number 2 and then of pillar 5. Lara Croft must solve the Illuminati riddle before May 22 (5/22) in Tomb Raider.
With the huge amount of subtle and not so subtle Masonic imagery in the movies, I really had little doubt about who controlled them. Movies like The League of Extraordinary Gentlemen, Scooby Do, Van Helsing, Tomb Raider and Master of Disguise include Masonic symbolism, often without giving an explanation of why they are there. But whenNational Treasure with Nicholas Cage came out recently, I was shocked. Those in control of the movie business weren’t even trying to hide their influence any more. The movie plays like a Masonic recruitment film from start to finish. I wondered how many people would realize that the numerical inclusions, like the 2:22 on the clock tower on the hundred-dollar bill and the 55 signatures (55 in the movie; 56 in reality) really did have a secret meaning.
Even the movie company logos express their purpose and allegiance. From the Statue of Liberty-like Columbia logo to the Sphinx from Hollywood Pictures, the pyramid from Trimark, the Paramount logo with its 22 (5 pointed) stars,and obviously the constellation from Orion Pictures, the intent is clear.
Even with all of these clues under my belt, I still felt that there was something missing. The combination of 22 and 5, like so many other clues, was positioned in plain site, obvious yet invisible, for a specific reason. As Pat learned from her rigorous analysis of the war between light and dark, the enemy is proud and boastful. He cannot win anything without bragging about it.
There were so many clues. There was so much evidence. The answer was right under my nose, but it still shocked me when I found it. I knew that America had been established for a secret purpose. I knew that 911 was a big part of that purpose. I knew that the secret societies had left clues about their plan everywhere. (just like in National Treasure) What did 22 and 5 have to do with it?
The time from America’s birth in 1776 to its sacrificial “death” in 2001 is 225 years!
As revealed by The Real 911, the signature of death is diverse and ongoing. It didn’t begin or end on September 11, 2001. Nor will it end with the capture of Osama bin Laden or any number of Al-Qaeda members. It exists in movies, commercials, television programs, current events, websites, dates of military and legal events and at least one very high profile assassination. The pattern(s) is not a coincidence or a mistake. The existence of this subtle manipulation is proof positive that the battle for our souls is real and even escalating. It is just small indicator of the colossal battle between good and evil, which balances perfectly with the biblical warnings of the End Times. Your soul is the target. Are you ready to fight off the attack?
|